Data Through Design Projects (2018–Present)

This dataset lists Data Through Design projects and their accompanying datasets. It also lists the people that created each one.

Data Through Design (DxD) is an independent art collective that, since 2018, has organized an annual data art exhibition as part of Open Data Week. Each featured project uses NYC Open Data, creatively analyzing, interpreting and interrogating it, sometimes in combinations with other free, publicly accessible sources of data about NYC.

For the latest information Data Through Design, visit

Office of Technology and Innovation (OTI) Dataset eg3n-9i5r 7 fields
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99 cents & Up & Up
Project Name: 99 cents & Up & Up • Artist S: Gloria Lau,Daphne Lundi • Exhibition Theme: Ground Truth, IRL
Project Name
99 cents & Up & Up
Project Description
99 cents store, dollar store, discount store, bargain store, variety store, dollar tree. These places have many names and represent a ubiquitous but oftentimes invisible part of New York City's landscape. In many neighborhoods, particularly in low-income and Black and brown communities, where major chains or supermarkets choose not to locate, 99 cents stores fill in the gap and can serve as places for purchasing low-cost food, home goods, school supplies, beauty products, and clothing. Even though the demand of these stores is the result of exclusion, they have also become resources for creativity and homemaking, allowing people to DIY projects, and make improvements to their homes while spending a relatively small amount of money. No two 99 cents stores are the same: some are chain stores that made a calculated decision to locate in low-income neighborhoods, but many are mom-and-pop shops that provide immigrant communities the opportunity for business ownership.
Artist S
Gloria Lau,Daphne Lundi
Exhibition Theme
Ground Truth, IRL
Festival Year
2022
A Matter of Air
Project Name: A Matter of Air • Artist S: Katrin Bichler,Aurelie Barbier,Aron Cohen,Julie McEldoon • Exhibition Theme: Hidden in Plain Sight
Project Name
A Matter of Air
Project Description
We are all impacted by the air we breathe. Air pollution in New York has contributed to approximately 3,000 deaths and 2,000 emergency department visits and hospitalizations annually. However, the quality of this air, the particles we find in it, and how vulnerable we are to it drastically depend on which neighborhood we live in. 
This installation gives you a live experience of the New York Community Air Survey (NYCASS) and its findings. Since 2009 the survey monitors street-level air pollution and attributable health events for the 42 UHF (United Hospital Fund) neighborhoods of NYC. 
The monitoring has led to regulations that have improved air quality all over the city. However, these improvements are not felt equally. While pollution hotspots have decreased, some neighborhoods are still feeling the impacts. Are the communities with the highest air pollution experiencing the worst health impacts, or are there other factors at play?
Artist S
Katrin Bichler,Aurelie Barbier,Aron Cohen,Julie McEldoon
Exhibition Theme
Hidden in Plain Sight
Festival Year
2023
Nyc Open Data Dataset
Air Quality [https://data.cityofnewyork.us/d/c3uy-2p5r]
Other Dataset
New York Community Air Survey (NYCASS) (https://a816-dohbesp.nyc.gov/IndicatorPublic/key-topics/airquality/)
Aging Out of Place
Project Name: Aging Out of Place • Artist S: Michelle Hui • Exhibition Theme: Corpus: Bodies of Data
Project Name
Aging Out of Place
Project Description
Inspired by mahjong— a game of social connection in Chinese culture but also a symbol of the growing gambling addiction due to social isolation in Chinatown— this piece recreates a portrait of NYC Chinatown using laser-etched mahjong tiles of landmarks and elderly residents. This piece centers the struggles of elderly in New York City's Chinatown to age in place, focusing on themes of immigration, isolation, and challenges of aging in a city amid gentrification and poverty. Elderly communities, especially those in ethnic enclaves, are often “aged out” of data narratives due to digital and language divides. The piece transforms abstract statistics into tangible, lived experiences, underscoring the intersection of data and human stories. Through this, I invite deeper reflection on how we treat — or ignore— the elders in our own lives.
Artist S
Michelle Hui
Exhibition Theme
Corpus: Bodies of Data
Festival Year
2025
Nyc Open Data Dataset
NYCHA Facilities and Service Centers [https://data.cityofnewyork.us/d/d4iy-9uh7], Directory Of Homeless Drop- In Centers [https://data.cityofnewyork.us/d/bmxf-3rd4], Financial Empowerment Centers [https://data.cityofnewyork.us/d/dt2z-amuf], Department for the Aging (NYC Aging) - Senior Center Local Law 140 Client Data - FY 2020 [https://data.cityofnewyork.us/d/hm83-bdp7], Intimate Partner Elder Abuse in New York City [https://data.cityofnewyork.us/d/s67q-ee5u]
Almost Everywhere
Project Name: Almost Everywhere • Artist S: Abe Rubenstein,Cameron Yick • Exhibition Theme: Digital Twin
Project Name
Almost Everywhere
Project Description
Have you ever wondered how much of New York City is geographically referenced by its own public data? By bombarding the features of the NYC Planimetrics database – the foundation upon which all other New York geospatial data rests – with more than 400 million geographic points from NYC Open Data, voids are revealed that materialize the differences between two distinct digital definitions of the City.
Artist S
Abe Rubenstein,Cameron Yick
Exhibition Theme
Digital Twin
Festival Year
2020
Other Dataset
NYC Planimetric Database (https://data.cityofnewyork.us/browse?Data-Collection_Data-Collection=NYC+Planimetric+Database&sortBy=relevance&page=1&pageSize=20)
Below, just a point
Project Name: Below, just a point • Artist S: Pierre Depaz,Nicolas Grefenstette • Exhibition Theme: NaN - Not a Number
Project Name
Below, just a point
Project Description
Below, just a point is a light installation which highlights the cause and effect relationship between property transaction – often happening unbeknownst to and to the detriment of inhabitants – and the amount of sunlight that these inhabitants are exposed to. On a very physical level, property transfer results directly in the construction of ever-higher rises, following a logic of most value extraction from the land, which in turn manifests itself through a net disappearance of sunlight for current tenants and neighbors upon completion fo the construction work. It is the very experience of seeing the light disappear that prevents readers and audience members to truly experience what it meant, not to live in shadows, but to see the light disappear.
And yet, as the buildings rise, they obfuscate the original act of their creation – the financial exchange of mortgages – as they get buried deeper and deeper into the ACRIS database, supposedly upon, yet hardly searchable, hardly findable, only remnants of deeds.
Artist S
Pierre Depaz,Nicolas Grefenstette
Exhibition Theme
NaN - Not a Number
Festival Year
2019
Other Dataset
ACRIS [https://www.nyc.gov/site/finance/property/acris.page], PLUTO + MapPLUTO [https://www.nyc.gov/content/planning/pages/resources/datasets/mappluto-pluto-change], NYC DOB Building Information System [https://a810-bisweb.nyc.gov/bisweb/bispi00.jsp], NYC DCP Environmental Impact Statements [https://www.nyc.gov/content/planning/pages/planning/environmental-review]
Best Places to (ALMOST) Die
Project Name: Best Places to (ALMOST) Die • Artist S: Devang Thakkar • Exhibition Theme: Digital Twin
Project Name
Best Places to (ALMOST) Die
Project Description
Best Places to (ALMOST) Die is an art installation that visualizes the travel times for EMS vehicles to transport cardiac arrest victims to emergency rooms across New York City on laser etched acrylic panels. The installation emulates the ambiance of an indie game, one where the characters lose ‘hearts’ when they die. The EMS vehicle’s journey from a response scene to the ER is a complex combination of a multitude of factors which is the reason, simulacra on a digital twin have the potential to help improve response times and suggest optimizations. One of the more common ways in which digital twins have been put to use is in transit management - for example, since the EMS notifies the ER about its arrival, we could temporarily adjust the traffic lights and their sequence to allow for a smoother flow without holding up traffic along other routes. Simulations could also pinpoint locations in the city that require the most attention and could benefit the most from structural and policy changes.
Artist S
Devang Thakkar
Exhibition Theme
Digital Twin
Festival Year
2020
Nyc Open Data Dataset
911 End-to-End Data [https://data.cityofnewyork.us/d/t7p9-n9dy]
Big Apple Recipes
Project Name: Big Apple Recipes • Artist S: Snoweria Zhang • Exhibition Theme: Ground Truth
Project Name
Big Apple Recipes
Project Description
Living in New York City can be as exhilarating as it is annoying. Inspired by Fluxus happenings and cook books, Big Apple Recipes devises three “recipes” using common household objects to recreate the data landscape of NYC living. Through “music,” “tea,” and “prints,” this project explores the collective lives of New York City through sound, taste, and touch. 
Since the pandemic prevents a conventional gallery format, Big Apple Recipes situates abstract datasets in objects available in most households to grant visitors an intuitive way to understand the data at hand. Each section contains a snippet of the data, a detailed recipe for making the data experiential, and an example video of someone using the recipe. The artist invites improvisation and participation from home with #bigapplerecipes.
This project is inspired by Snoweria’s visit to the National Gallery East Wing in Washington D.C. I.M. Pei’s impressively thin wall has drawn many visitors’ touch, and a small section of the Tennessee marble adopted a sheen as a result. The cumulative handprints roughly resembled the shape of a normal curve flipped on its side. Knowing that human height is normally distributed, the artist reasoned that the shape of the sheen is caused by everyone touching the wall at a level intuitive for their height. This seemed like a simple connection, but Snoweria loved the physicalization and grounding of what is otherwise abstract data. This is what Big Apple Recipes aims to do.
Artist S
Snoweria Zhang
Exhibition Theme
Ground Truth
Festival Year
2021
Nyc Open Data Dataset
311 Service Requests from 2020 to Present [https://data.cityofnewyork.us/d/erm2-nwe9], Air Quality [https://data.cityofnewyork.us/d/c3uy-2p5r]
Blue Lines + Future Coral
Project Name: Blue Lines + Future Coral • Artist S: Jeff Fossett,Evan Finkle,Jesse Bryant • Exhibition Theme: Ground Truth, IRL
Project Name
Blue Lines + Future Coral
Project Description
In the broadest sense, this project is meant to render sensible the growing socio-environmental problems involving water, New York, and the climatic future. Like all problems tethered to climate change, these problems are both material and political. First, there is the increased material threat of flooding that will no doubt continue to rise as global temperatures grow and meteorological systems become less stable. But second, there is the financial threat of bluelining, or the insurance company practice of incorporating flood models into profit calculations and thus in some neighborhoods discontinuing flood insurance, or further, no longer offering 30-year mortgages.
Blue Lines + Future Coral uses US Census data, neighborhood-level demographic data, and flood data from the 2020 and 2050 models to visualize waves of displacements within neighborhoods in New York, first due to the inaccessibility of credit and second due to inevitable flooding.
Artist S
Jeff Fossett,Evan Finkle,Jesse Bryant
Exhibition Theme
Ground Truth, IRL
Festival Year
2022
Nyc Open Data Dataset
Sea Level Rise Maps (2050s 100-year Floodplain) [https://data.cityofnewyork.us/d/hbw8-2bah], Sea Level Rise Maps (2020s 500-year Floodplain) [https://data.cityofnewyork.us/d/ajyu-7sgg]
Body of Waste
Project Name: Body of Waste • Artist S: Alison Long,Cass Yao,Keyarow Mosley • Exhibition Theme: Corpus: Bodies of Data
Project Name
Body of Waste
Project Description
‘Body of Waste’ is a sculptural installation that invites viewers to witness the autopsy of New York City’s residential waste ecosystem, resurrecting the tangible body behind the data from DSNY’s waste categorization study. Using this dataset, we create a living organism out of liquified silicone and upcycled materials, indexing the collective habits, necessities, and excesses of the city. The recycling and refuse streams serve as its circulation, while the waste categories form components that cluster into organs and flow like cells through its bloodstream.
Artist S
Alison Long,Cass Yao,Keyarow Mosley
Exhibition Theme
Corpus: Bodies of Data
Festival Year
2025
Nyc Open Data Dataset
DSNY Waste Characterization 2023 - Subsort Results [https://data.cityofnewyork.us/d/pum2-pec2], DSNY Waste Characterization 2023 - Main Sort Results [https://data.cityofnewyork.us/d/bpea-2i5q]
Breath Atlas
Project Name: Breath Atlas • Artist S: HK Dunston,Jill Sigman,Abigail Regner,Mariya Chekmarova • Exhibition Theme: Corpus: Bodies of Data
Project Name
Breath Atlas
Project Description
Using both data and creative expression, this work explores New Yorkers’ ability to breathe in their neighborhoods. Ten ceramic amphoras represent neighborhoods in New York City where constraints on breath have been particularly acute. Although the amphoras are consistent in size, their differing textures, glazes and distortions represent data about air pollution, asthma, poverty and incarceration rates, as well as the ratio of open and green spaces to space for industry, utilities, manufacturing and highways in each neighborhood.
Artist S
HK Dunston,Jill Sigman,Abigail Regner,Mariya Chekmarova
Exhibition Theme
Corpus: Bodies of Data
Festival Year
2025
Other Dataset
New York City Community Air Survey (NYCCAS) [https://www.nyc.gov/site/doh/data/data-sets/air-quality-nyc-community-air-survey.page],
New York City Community Health Profiles [https://www.nyc.gov/site/doh/data/data-publications/profiles.page],
New York City Community District Profiles [https://communityprofiles.planning.nyc.gov/]
Broadway Data Boogie Woogie
Project Name: Broadway Data Boogie Woogie • Artist S: Noah Garcia,Ivan Himanen • Exhibition Theme: Ground Truth
Project Name
Broadway Data Boogie Woogie
Project Description
We have reimagined Piet Mondrian’s Broadway Boogie Woogie as a traffic data visualization, reinvigorating the century-old abstract art tradition for a 21st-century context.
NYC has always been defined by its mobility: how and when its denizens move from place to place. This reality bears itself out in the city’s art as much as in its data. One of our favorite art pieces is Piet Mondrian’s 1943 painting Broadway Boogie Woogie. Perhaps better than any other artwork, it has found new maturity in the Information Age, where everything can be quantified and aggregated. The artistic movement of which Mondrian was a central figure, now nearly 100 years old, anticipated this reality with its abstraction of the observable world into basic geometry. Our aim is to build on that legacy.
The NYC Open Data web platform hosts many datasets related to mobility, the most intriguing of which is the DOT’s real-time traffic speed dataset. We humbly recognize that the DOT has already created a much more useful visualization of traffic speeds which can be found at the following location: https://webcams.nyctmc.org/. We’ve given ourselves a much simpler goal under the protections of artistic expression to create a dynamic, two-dimensional update to Broadway Boogie Woogie: by taking a map of Manhattan, subdividing it into a grid of squares, and painting each square according to the traffic speed that has been most recently measured. This dataset is updated every half hour, so the image will change in kind.
Artist S
Noah Garcia,Ivan Himanen
Exhibition Theme
Ground Truth
Festival Year
2021
Nyc Open Data Dataset
DOT Traffic Speeds [https://data.cityofnewyork.us/d/i4gi-tjb9]
Other Dataset
Real-Time Traffic Information (https://webcams.nyctmc.org/map)
Counterpoints
Project Name: Counterpoints • Artist S: Mansi Shah,Lucy Hatem,Torstein Johansen • Exhibition Theme: Ground Truth, IRL
Project Name
Counterpoints
Project Description
Counterpoints is a site-specific performance designed to explore boundaries between data and reality, define a sense of place, and test the limits between remote observation and experience. This project reimagines the idea of a musical score, using geospatial and publicly available urban data as a basis for improvisation and spontaneous composition and offering viewers a way to experience a physical location on various levels at once.
How has our understanding of place, and specifically what it means to be in a physically embodied space during a global pandemic, shaped our experience of our surroundings? Time series satellite imagery of locations around Brooklyn and Manhattan from 2018 through 2021 show changes over time, while data from NYC’s Open Data collection (converted into prose scores) is interpreted by the performers. This data informs the audio improvisations and presents ways to experience and explore a sense of place from multiple perspectives simultaneously.
Artist S
Mansi Shah,Lucy Hatem,Torstein Johansen
Exhibition Theme
Ground Truth, IRL
Festival Year
2022
Nyc Open Data Dataset
Landcover Raster Data (2017) [https://data.cityofnewyork.us/d/a6da-9d5w]
Broken Windows and Pink Tickets
Project Name: Broken Windows and Pink Tickets • Artist S: Jill Hubley • Exhibition Theme: 8 Questions for the City
Project Name
Broken Windows and Pink Tickets
Project Description
How is low-level crime policed throughout NYC?
Using criminal court summonses data, I'm exploring geographic patterns of broken windows policing in New York City. The concept behind the broken windows theory is that maintaining an orderly urban environment and cracking down on low-level crime will deter the advent of more serious crime. In my installation, parachute cords in a multitude of colors hang down, each representing the number of summons issued for a particular violation in one of NYC's 78 police precincts. The colors map to the different violations, which include a wide range of infractions (trespassing, spitting in public, and having an unleashed dog are just a few). Visitors are encouraged to walk through the installation to traverse the city and immerse themselves in the information. Where there are a great number of summonses, the strings will reach the floor; where there are fewer, the strings will hang above the visitors’ heads.
Artist S
Jill Hubley
Exhibition Theme
8 Questions for the City
Festival Year
2018
Nyc Open Data Dataset
NYPD Criminal Court Summons Incident Level Data (Year To Date) [https://data.cityofnewyork.us/d/mv4k-y93f], New York City Population By Neighborhood Tabulation Areas [https://data.cityofnewyork.us/d/swpk-hqdp]
Other Dataset
Police Precincts (https://www.nyc.gov/content/planning/pages/resources/datasets/police-precincts)
Cards Against Hate
Project Name: Cards Against Hate • Artist S: Stephanie Luu,Andrew Lin • Exhibition Theme: NaN - Not a Number
Project Name
Cards Against Hate
Project Description
Cards Against Hate presents the annual “NYC Reported Hate Crimes” dataset in a physical, interactive medium and adding a layer of real stories sourced from the news. The 52 weeks represented in each deck correspond with the 52 cards found in a typical deck of playing cards. Each red card reveals the number of hate crimes reported for that group in a random week and includes an actual hate crime incident. By supplementing the data with real stories, we hope to provide a deeper insight on the prevalence, nature, and magnitude of hate crimes across social groups. The ultimate goal is to increase awareness of these experiences and empathy for the victims, our neighbors, and to increase the reporting of hate crime incidents to law enforcement.
Many hate crime stories were collected from Pro Publica, a nonprofit leading “Documenting Hate”, a collaborative effort dedicated to investigating hate crimes and bias incidents in the Untied States.
Artist S
Stephanie Luu,Andrew Lin
Exhibition Theme
NaN - Not a Number
Festival Year
2019
Nyc Open Data Dataset
NYPD Hate Crimes [https://data.cityofnewyork.us/d/bqiq-cu78]
Chaosphere
Project Name: Chaosphere • Artist S: Angel Mai,Zongze Chen,Sharell Bryant,Yitong Chen • Exhibition Theme: Aftermath
Project Name
Chaosphere
Project Description
Chaosphere is an interactive installation that looks at yearly trends in cooking gas usage in New York City. Through interacting with the inflatable burners on a stove, participants will look at monthly gas usage as well as brief video compilations of the related triumph, controversy, and hardship experienced by the human race in recent years. The piece uses cooking as a starting point to examine the tension between the aftermath of a chaotic world and the essence of living, fertility, and community.
Artist S
Angel Mai,Zongze Chen,Sharell Bryant,Yitong Chen
Exhibition Theme
Aftermath
Festival Year
2024
Nyc Open Data Dataset
Cooking Gas Consumption And Cost (2010 - Sep 2025) [https://data.cityofnewyork.us/d/avhb-5jhc], NYC Building Energy and Water Data Disclosure for Local Law 84 2023 to Present (Data for Calendar Year 2022-Present) [https://data.cityofnewyork.us/d/5zyy-y8am]
Collision Course
Project Name: Collision Course • Artist S: Karl Munstedt • Exhibition Theme: NaN - Not a Number
Project Name
Collision Course
Project Description
Collision Course is a series of real-time 3D virtual environments, which speculate upon the automation bias that is likely to drive our car-enabling transportation policies in coming years. Built using a game engine and inspired by my experiences as a New York City cyclist, these environments depict motor vehicle nightmare scapes. These environments examine the emotional consequence of machines continuing to take ownership of public space and bring into focus the absurdity of the silicon valley promise that autonomy will foster an age of efficiency and climate neutrality.
Artist S
Karl Munstedt
Exhibition Theme
NaN - Not a Number
Festival Year
2019
Nyc Open Data Dataset
Traffic Volume Counts (Historical) [https://data.cityofnewyork.us/d/btm5-ppia], Motor Vehicle Collisions - Crashes [https://data.cityofnewyork.us/d/h9gi-nx95], Air Quality [https://data.cityofnewyork.us/d/c3uy-2p5r]
Compositions
Project Name: Compositions • Artist S: Julia Bloom,Sukanya Aneja,Michael Hsu • Exhibition Theme: Ground Truth
Project Name
Compositions
Project Description
Data is an act of imagination. When we see data, we imagine a world. How close is the data to reality? How far? We are interested in exploring the distance between the New York we experience and the New York we imagine through data. Compositions is an online soundboard that allows participants to play and compare field recordings of select street corners with soundscapes generated algorithmically using data from NYC Open Data.
Users can toggle between field recordings and generated soundscapes, and read some words that help them feel or understand what they are hearing. They can also visit the locations in person to ground truth the fidelity of the generated soundscapes for themselves.
In some cases, listeners may find that the artificial NYC soundscape heightens their awareness of certain noises of the city. They may notice the presence or absence of birds chirping, diners laughing over lunch, the wind, the rain, or the rumbling of a train passing underfoot. The artificial soundscapes may also exaggerate the frequency and intensity of “nuisance” noises like construction, loud pedestrian conversation, street traffic, and so on. They might even find that there is some agreement between the computer-generated soundscapes and the field recordings. Perhaps they will find, as we did, that so much of the character of a city depends, in fact, on the time of day, the weather, or the moods of passersby—the countless coincidences from which emerges the sounds of life.
Artist S
Julia Bloom,Sukanya Aneja,Michael Hsu
Exhibition Theme
Ground Truth
Festival Year
2021
Nyc Open Data Dataset
311 Service Requests from 2020 to Present [https://data.cityofnewyork.us/d/erm2-nwe9], DOB Permit Issuance [https://data.cityofnewyork.us/d/ipu4-2q9a], HISTORICAL Sidewalk Café Licenses and Applications [https://data.cityofnewyork.us/d/qcdj-rwhu], Open Restaurant Applications (Historic) [https://data.cityofnewyork.us/d/pitm-atqc], Bi-Annual Pedestrian Counts [https://data.cityofnewyork.us/d/cqsj-cfgu], Traffic Volume Counts (Historical) [https://data.cityofnewyork.us/d/btm5-ppia], Land Cover Raster Data (2017) – 6in Resolution [https://data.cityofnewyork.us/d/he6d-2qns]
Compositions: NYC
Project Name: Compositions: NYC • Artist S: Julia Bloom,Sukanya Aneja,Michael Hsu • Exhibition Theme: Ground Truth, IRL
Project Name
Compositions: NYC
Project Description
Listeners are invited to toggle between field recordings and generated soundscapes, and may read an accompanying description to help them understand what they are hearing. They can also visit the locations in person to ground truth the fidelity of the generated soundscapes for themselves.
In some cases, listeners may find that the artificial NYC soundscape heightens their awareness of certain noises of the city. They may notice the presence or absence of birds chirping, diners laughing over lunch, the wind, the rain, or the rumbling of a train passing underfoot. The artificial soundscapes may also exaggerate the frequency and intensity of “nuisance” noises like construction, loud pedestrian conversation, street traffic, and so on. They might even find that there is some agreement between the computer-generated soundscapes and the field recordings. Perhaps they will find, as we did, that so much of the character of a city depends, in fact, on the time of day, the weather, or the moods of passersby—the countless coincidences from which emerges the sounds of life.
Artist S
Julia Bloom,Sukanya Aneja,Michael Hsu
Exhibition Theme
Ground Truth, IRL
Festival Year
2022
Nyc Open Data Dataset
311 Service Requests from 2020 to Present [https://data.cityofnewyork.us/d/erm2-nwe9], DOB Permit Issuance [https://data.cityofnewyork.us/d/ipu4-2q9a], HISTORICAL Sidewalk Café Licenses and Applications [https://data.cityofnewyork.us/d/qcdj-rwhu], Open Restaurant Applications (Historic) [https://data.cityofnewyork.us/d/pitm-atqc], Bi-Annual Pedestrian Counts [https://data.cityofnewyork.us/d/cqsj-cfgu], Traffic Volume Counts (Historical) [https://data.cityofnewyork.us/d/btm5-ppia], Land Cover Raster Data (2017) – 6in Resolution [https://data.cityofnewyork.us/d/he6d-2qns]
Desire Paths
Project Name: Desire Paths • Artist S: Becca Ellsworth,Becca Odell • Exhibition Theme: echo{logies}
Project Name
Desire Paths
Project Description
Desire Paths draws on Parks datasets to examine the ecological rhythms of movement within New York City public spaces. By mapping “desire paths”, or the informal pathways formed by repeated human movement, the project explores the interplay between designed landscapes, human behavior, and the forces that erode urban ecologies over time. Rendered as a mosaic composed of nine threaded and glazed clay tiles, the artists examine how human and natural systems continually shape the living, evolving landscapes of the City’s parks.
Artist S
Becca Ellsworth,Becca Odell
Exhibition Theme
echo{logies}
Festival Year
2026
Nyc Open Data Dataset
Parks Properties [https://data.cityofnewyork.us/d/enfh-gkve], NYC Parks Active and Passive Recreation [https://data.cityofnewyork.us/d/kcqe-vnci]
Other Dataset
Observational data at park locations, Open Street data for paved trails
Disappearing Data
Project Name: Disappearing Data • Artist S: Tara Lee Burns • Exhibition Theme: Hidden in Plain Sight
Project Name
Disappearing Data
Project Description
From its inception, the NYCEM Emergency Notifications dataset lists 863 reports of missing persons with dementia and/or Alzheimer's Disease. 101 people with dementia and/or Alzheimer’s were reported missing in NYC in 2022. Each projected panel highlights a fragmented artifact—a location,  faded photograph, or description—of one of 41 missing people with dementia and/or Alzheimer’s in the NYCEM Emergency Notification dataset between August 2 and December 25, 2022. 
Having familial ties to someone with Alzheimer’s, I’ve witnessed firsthand the fading of a loved one with the disease. Pulling from the data, this work aims to visualize a small portion of the loss experienced by someone with this disease and the loss faced by their loved ones. These people are in all senses of the word ‘missing’—the continual repetition of the fading of their memories, abilities, and independence.
Participants are asked to enter a trackable area in front of the projection that will fade the panels in and out depending on the audience’s coordinates in space. The continual dimming of the panels affected by passersby represents the ephemerality of the mind of a dementia patient, the disappearance of the knowledge of their location, self, and the people around them. These missing people were entered into this dataset, but they never leave. There is no information on their found state, they are forever missing and their fate is the same—continually deteriorating—disappearing data.
This work is dedicated to Kirk, Livi, Charles, and Alexandra.
Artist S
Tara Lee Burns
Exhibition Theme
Hidden in Plain Sight
Festival Year
2023
Nyc Open Data Dataset
NYCEM Emergency Notifications [https://data.cityofnewyork.us/d/8vv7-7wx3]
Emblems: Symbolizing City Data
Project Name: Emblems: Symbolizing City Data • Artist S: Mariya Chekmarova,HK Dunston • Exhibition Theme: Digital Twin
Project Name
Emblems: Symbolizing City Data
Project Description
“On the day when I know all the emblems," he asked Marco, "shall I be able to possess my empire, at last?" And the Venetian answered: "Sire, do not believe it. On that day you will be an emblem among emblems." (Invisible Cities, Italo Calvino)
Does the data we encounter about cities describe, define, or capture them? Or does data, like the ostrich feathers and tales of leaping fish Marco Polo brought to Kublai Khan in Calvino’s fable, offer only glimpses of what a city might be? Is possession of the real city beyond our grasp? The generated emblems, based on data about 15 cities in the US, and reinterpreted through layers of spirographs, capture elements of the variety and dynamism of each city, seeming to distinguish one from another. But they are beautiful cautionary tales, subjective in their creation and expressive in their interpretation. Our hope is that by shifting our view, we might begin to explore the equal, but less acknowledged subjectivity in other, more customary ways of interpreting information about cities. The emblems represent a pantomime of comparison, elaborate gestures to make us pause and consider city data itself, with its implicit authority and rational sharp edges, as perhaps simply another story we tell of distant lands.
Artist S
Mariya Chekmarova,HK Dunston
Exhibition Theme
Digital Twin
Festival Year
2020
Emissions of a Real Fantasy: The Aftermath of Fresh Kills
Project Name: Emissions of a Real Fantasy: The Aftermath of Fresh Kills • Artist S: Helmuth Rosales • Exhibition Theme: Aftermath
Project Name
Emissions of a Real Fantasy:
The Aftermath of Fresh Kills
Project Description
Emissions of a Real Fantasy surfaces over two decades of operational records at Fresh Kills landfill. Buried within Open Data’s archive, these textual records describe the day-to-day workings of the once-world’s-largest landfill. Snippets of these texts are envisioned emitting from the hundreds of gas wells dotted across the digitally simulated landscape.  The texts rise into the sky, persisting above the monumental backdrop of what is now Freshkills Park, offering quirky callbacks and retorts to the social and environmental practices that undergird the landform below. The land speaks about its history through these quotes, recalling the myriad scientific, political, and cultural standings of the stakeholders and laborers that heavily formed every inch of the site.
Artist S
Helmuth Rosales
Exhibition Theme
Aftermath
Festival Year
2024
Nyc Open Data Dataset
DSNY - Solid Waste Management Freshkills documents [https://data.cityofnewyork.us/d/yv6j-r66f], 1 foot Digital Elevation Model (DEM) [https://data.cityofnewyork.us/d/dpc8-z3jc]
Every Row is a Garden
Project Name: Every Row is a Garden • Artist S: Alec Barrett • Exhibition Theme: Ground Truth, IRL
Project Name
Every Row is a Garden
Project Description
Every Row is a Garden is a series of data portraits depicting five community gardens in Manhattan, Brooklyn, and the Bronx. The portraits show data from a variety of sources including the city’s open data portal, the U.S. Census, and the artist’s firsthand visits to the gardens and conversations with volunteers who tend them. The portraits use experimental graphical forms inspired by ecological and botanical shapes to visually represent qualitative and quantitative data.
When indoor spaces and close human contact present new risks and digital media consume an ever growing share of our time and attention, community gardens offer an escape outdoors to experience something local, natural, and real. Thanks to the Parks Department, land trusts, and small nonprofits, these plots resist—to our collective benefit—the tendency in NYC real estate toward privatization and profit. Community gardens, like the rest of us, contend with pests, noisy neighbors, bureaucracy, and demographic change. Most gardens have cohorts of members who pay dues, but rely on the dedicated, thankless labor of a handful of core volunteers.
Artist S
Alec Barrett
Exhibition Theme
Ground Truth, IRL
Festival Year
2022
Nyc Open Data Dataset
GreenThumb Garden Info [https://data.cityofnewyork.us/d/p78i-pat6], GreenThumb Site Visits [https://data.cityofnewyork.us/d/xqbk-beh5]
Finding Your (Softer) Edge
Project Name: Finding Your (Softer) Edge • Artist S: Works on Water • Exhibition Theme: Ground Truth, IRL
Project Name
Finding Your (Softer) Edge
Project Description
Direct contact with waterfronts is essential to the life of New York City, but we are caught between many different social versions of what that waterfront space does, should, and can mean. The “truth” of the waterfront is multi-layered–it is an industrial space, a living space, a space of nature, a space for real estate speculation–as diverse, difficult and deeply moving as the city itself. In 2019, Works on Water (WoW) began collaborating with the Waterfront and Open Spaces Division of the NYC Department of City Planning and arts organization Culture Push on Walking the Edge, originally planned as an opportunity for New Yorkers of all abilities and ages, in every borough, to experience and express their waterfront. As part of the research process, members of WoW and of the DCP WOS team performed a series of ground-truthing walks, guided by NYC Open Data and the DCP’s own database. We found, in our own ground-truthing process, that our discoveries, though deeply informed by the available spatial data, brought in often unexpected levels of complexity and difficulty.
Artist S
Works on Water
Exhibition Theme
Ground Truth, IRL
Festival Year
2022
Nyc Open Data Dataset
Waterfront Public Access Areas (WPAAs) [https://data.cityofnewyork.us/d/388s-pnvc]
Every Row is a Garden
Project Name: Every Row is a Garden • Artist S: Alec Barrett • Exhibition Theme: Ground Truth
Project Name
Every Row is a Garden
Project Description
Every Row is a Garden is a series of data portraits depicting five community gardens in Manhattan, Brooklyn, and the Bronx. The portraits show data from a variety of sources including the city’s open data portal, the U.S. Census, and the artist’s firsthand visits to the gardens and conversations with volunteers who tend them. The portraits use experimental graphical forms inspired by ecological and botanical shapes to visually represent qualitative and quantitative data.
When indoor spaces and close human contact present new risks and digital media consume an ever growing share of our time and attention, community gardens offer an escape outdoors to experience something local, natural, and real. Thanks to the Parks Department, land trusts, and small nonprofits, these plots resist—to our collective benefit—the tendency in NYC real estate toward privatization and profit. Community gardens, like the rest of us, contend with pests, noisy neighbors, bureaucracy, and demographic change. Most gardens have cohorts of members who pay dues, but rely on the dedicated, thankless labor of a handful of core volunteers.
The five gardens depicted in this project are just a small sample of the roughly 550 in the GreenThumb Garden dataset. Exploring the gardens and talking to the people who care for them is a delightful experience that cannot be fully captured in data or images. This project encourages New Yorkers to find comfort and community while connecting to nature, and to spend time in and volunteer with their local community gardens.
Artist S
Alec Barrett
Exhibition Theme
Ground Truth
Festival Year
2021
Nyc Open Data Dataset
GreenThumb Garden Info [https://data.cityofnewyork.us/d/p78i-pat6], GreenThumb Site Visits [https://data.cityofnewyork.us/d/xqbk-beh5]
Exhausted New York
Project Name: Exhausted New York • Artist S: Ana Mengote • Exhibition Theme: NaN - Not a Number
Project Name
Exhausted New York
Project Description
Exhausted New York is a visualization of the state of Air Quality in neighborhoods of New York City. Some of the biggest problems of cities are invisible and intangible - such as air pollution. For example, datasets such as the Air Quality Index is meaningless until we put them in context and compare them to asthma rates. Exhausted New York aims to push this visualization further by creating an experience that mimics the essence of breathing polluted air.
Artist S
Ana Mengote
Exhibition Theme
NaN - Not a Number
Festival Year
2019
Nyc Open Data Dataset
Air Quality [https://data.cityofnewyork.us/d/c3uy-2p5r], New York City Truck Routes [https://data.cityofnewyork.us/d/jjja-shxy], Georeferenced NYC Zoning Maps [https://data.cityofnewyork.us/d/mxbm-493w]
Other Dataset
Census Data [https://www.census.gov/]
Feel My City Breaking & Everybody Shaking
Project Name: Feel My City Breaking & Everybody Shaking • Artist S: Jennifer Dalton • Exhibition Theme: Ground Truth, IRL
Project Name
Feel My City Breaking & Everybody Shaking
Project Description
The project began in the anxious period surrounding the initial New York City lockdown, when residents were commanded to “PAUSE” and the calendar was suddenly wiped clean; every routine was upended, yet life somehow still proceeded hour by hour, day by day. I quickly realized I had no idea where the time was “going,” and craved a structure to cling to. I created customized daily time cards to represent the Groundhog Day feeling of punching a clock at home, every day nearly identical to the one before, and logged my activity in half-hour handwritten color-coded increments. Each day’s card is stamped with the date and hand-inscribed with the morning headline from the New York Times, the local weather, a quote from then-Governor Cuomo’s latest press conference, and the top trending hashtag on Twitter. Each time card is hinged to the next in succession, creating a long continuous accordion book upon which fluorescent-color line graphs rise and fall from one day to the next, representing daily pandemic, economic and cultural information and elucidating the relationship between my individual ordinary activity and the news, trends and metrics of the outside world.
Artist S
Jennifer Dalton
Exhibition Theme
Ground Truth, IRL
Festival Year
2022
Nyc Open Data Dataset
COVID-19 Daily Counts of Cases, Hospitalizations, and Deaths [https://data.cityofnewyork.us/d/rc75-m7u3]
Feel My City Breaking & Everybody Shaking
Project Name: Feel My City Breaking & Everybody Shaking • Artist S: Jennifer Dalton • Exhibition Theme: Ground Truth
Project Name
Feel My City Breaking & Everybody Shaking
Project Description
In a moment of collective altered perception and upheaval, Feel My City Breaking & Everybody Shaking captures time. In March 2020 as NYC transitioned into lockdown and the days blurred, life somehow still proceeded hour by hour, day by day. I quickly realized I had no idea where the time was “going,” and began logging my activity in color-coded half-hour increments on daily time cards. Each day’s card is stamped with the date and inscribed with the morning headline from the New York Times, the local weather, a quote from Governor Cuomo’s latest press conference, and the top trending hashtag on Twitter. If I took a photo that day on my phone, I sketched a simple line drawing from it in heavy ink to illustrate a single moment, no matter how banal. Each time card is hinged to the next in succession, creating a long continuous accordion book upon which fluorescent-color line graphs rise and fall from one day to the next, representing daily pandemic, economic and cultural information and elucidating the relationship between my individual ordinary activity and the news, trends, and metrics of the outside world.
Artist S
Jennifer Dalton
Exhibition Theme
Ground Truth
Festival Year
2021
Nyc Open Data Dataset
COVID-19 Daily Counts of Cases, Hospitalizations, and Deaths [https://data.cityofnewyork.us/d/rc75-m7u3]
Final Inch: Mustard, Data, Sauerkraut
Project Name: Final Inch: Mustard, Data, Sauerkraut • Artist S: Elias Bennett,Simon Lesina-Debiasi • Exhibition Theme: Corpus: Bodies of Data
Project Name
Final Inch: Mustard, Data, Sauerkraut
Project Description
Analysis of food distribution networks makes the “final mile” a critical measure – indeed, a majority of the food carried into NYC will pass through one of just 2 tunnels and 4 bridges. If these 6 major infrastructures constitute the city’s mouth(s), then the thousands of point-of-sale street vendors dotting the streetscape make up its capillaries, delivering necessary nutrients those final few feet and inches into our own hungry bodies. Taking the shape of a New York hot dog stand, this project seeks to unveil the micro-infrastructures that make good on the tacit promise to city-dwellers that a warm meal is never more than a few steps and a few dollars away. In place of pickle tubs, ketchup bottles, and hot plates, customers will be served with explorations into how demand, production, transit, and waste are recorded or ignored in our tabulation of food infrastructure – a vital practice if we are to maintain the health of people, cities, and the biosphere. This seemingly anachronistic form will also confront how the urge for convenience makes “final inch” infrastructures like delivery apps and ghost kitchens increasingly invisible, turning the street cart into a vessel for speculation on how food production in the city might become hyper-local and civically engaged.
Artist S
Elias Bennett,Simon Lesina-Debiasi
Exhibition Theme
Corpus: Bodies of Data
Festival Year
2025
Nyc Open Data Dataset
Directory of Concessions [https://data.cityofnewyork.us/d/ac9y-je94], City-owned sites that are available and potentially suitable for urban agriculture (Local Law 46 of 2018) [https://data.cityofnewyork.us/d/qchy-end3]
From Point A to Point B
Project Name: From Point A to Point B • Artist S: Achim Koh,Wonyoung So • Exhibition Theme: NaN - Not a Number
Project Name
From Point A to Point B
Project Description
What happens in the empty space between data points? Data-based models are hungry for more data and granularity; when these latter are unavailable, data methodologies tend to fill in the blanks and estimate what is not measured by employing assumptions and proxies. While data are often associated with objectivity, in practice they involve imagination and interpretation as much as any field, creating fictitious versions fo the unrepresented, in the hope that these work well enough for practical purposes.
From Point A to Point B nodes to this data-based attempt to guess the in-between spaces, the fissures of data. However, it also acknowledges the fundamental irreconcilability of data and the world it represents. Instead of trying to render the world into an ‘accurate’ fixed state, it explores the potential states opened up by the sparsity of data. It takes the idea of inventing realities quite literally, creating speculative accounts based on people’s journeys documented in open data sets.
This work is an illustration of data methodologies’ reliance on guesswork and assumptions, which invent values where measurements do not exist. At the same time, it is a poetic exploration of people’s experience rendered invisible through its abstraction into numbers.
Artist S
Achim Koh,Wonyoung So
Exhibition Theme
NaN - Not a Number
Festival Year
2019
Nyc Open Data Dataset
2019 Yellow Taxi Trip Data [https://data.cityofnewyork.us/d/2upf-qytp]
Grafting Landscapes
Project Name: Grafting Landscapes • Artist S: Amanda Anderson-You • Exhibition Theme: Digital Twin
Project Name
Grafting Landscapes
Project Description
"Grafting Landscapes" is a visualization made to encourage the viewer to engage with landscape paintings from the Metropolitan Museum of Art's collection in a new and unusual way, leading them to discover details about the art they may overlook with a traditional view. Thirty open access landscape paintings from the Met were divided into equal slivers and re-aligned at random, positioned vertically based on a hand-assigned horizon value between 0 and 1. The new resulting landscapes show a steady horizon across the middle and variation in sky-to-land ratios throughout the original works.
Artist S
Amanda Anderson-You
Exhibition Theme
Digital Twin
Festival Year
2020
Other Dataset
landscape paintings from the Metropolitan Museum of Art (https://www.metmuseum.org/policies/image-resources)
HartLine
Project Name: HartLine • Artist S: Ian Callender,Karla Rothstein • Exhibition Theme: echo{logies}
Project Name
HartLine
Project Description
HartLine explores mortality, ecology, and computation as intertwined planetary processes. Hart Island is NYC’s public burial ground. For over 150 years, the island has been reshaped by tides, weather, and the burial of more than one million unclaimed dead. The project presents a semi-controlled aqueous installation where metal, saline water, sediment, vegetation, and projection register cycles of decay and regrowth, engaging the city’s past and future in the liminal space where civic and sacred converge.
Artist S
Ian Callender,Karla Rothstein
Exhibition Theme
echo{logies}
Festival Year
2026
Nyc Open Data Dataset
DOC Hart Island Burial Records [https://data.cityofnewyork.us/d/f5mc-f3zp], NYC Wetlands [https://data.cityofnewyork.us/d/p48c-iqtu]
Other Dataset
Traveling Cloud Museum Data Set, The Hart Island Project (https://www.hartisland.net/)
Hidden Layers | The Voices that Shape NYC Zoning
Project Name: Hidden Layers | The Voices that Shape NYC Zoning • Artist S: Block Party,Sarah Sachs,Becky Xu,Sourabh Chakraborty • Exhibition Theme: Hidden in Plain Sight
Project Name
Hidden Layers | The Voices that Shape NYC Zoning
Project Description
Hidden Layers is an immersive art experience that explores the dynamic landscape of New York City's housing crisis and zoning decisions. The gallery offers a unique perspective into these complex issues by distilling the transcript data from Community Board meetings, uncovering the stories behind major rezoning projects such as Inwood, Gowanus, and Soho/Noho. The text analysis illuminates key themes that emerge from these discussions, providing insight into the defining characteristics of each neighborhood. The large-scale maps contrast data on affordable housing units and housing values, highlighting the challenges and opportunities facing New York's diverse neighborhoods.
Our mission at Block Party is to enhance the accessibility of information and to enable community engagement in local democracy. We source the transcript data directly from online recordings of Community Board meetings through our independent civic technology initiative. Block Party's structured dataset of public forum transcripts spans NYC districts and city agencies, providing a novel resource for exploring themes, advocacies, and challenges at a hyper-local level. Join us in exploring this vibrant and complex landscape and share your own perspectives on the future of housing in our city.
Artist S
Block Party,Sarah Sachs,Becky Xu,Sourabh Chakraborty
Exhibition Theme
Hidden in Plain Sight
Festival Year
2023
Holobiont Urbanism 2022: Be(e)yond What Meets the Eye
Project Name: Holobiont Urbanism 2022: Be(e)yond What Meets the Eye • Artist S: Living Interfaces Lab,Elizabeth Henaff,Sheila Atieno,Tori Coleman,Andrea Sanchez • Exhibition Theme: Hidden in Plain Sight
Project Name
Holobiont Urbanism 2022: Be(e)yond What Meets the Eye
Project Description
Living Interfaces Lab: Elizabeth Henaff, Sheila Atieno, Tori Coleman, and Andrea Sanchez
Holobiont Urbanism 2022 is a hive object to map the unseen microbial network linking the natural and built environment of NYC. This installation integrates metagenomic data collected from honey bees with NYC Open Data entitation dataset from Forest Park to investigate environmental relationships that elude typical awareness. Explore each level of the hive object to discover different maps of NYC drawn collaboratively by human, microbe, and honey bee.
Nestled in the bottom-most hive box is the second edition of the Gene Zine: Micro News Biome Letter. Take a copy back to your ‘hive’ and re-imagine the ways you experience the microbial and built environment.
Artist S
Living Interfaces Lab,Elizabeth Henaff,Sheila Atieno,Tori Coleman,Andrea Sanchez
Exhibition Theme
Hidden in Plain Sight
Festival Year
2023
Nyc Open Data Dataset
Entitation Parsed Species [https://data.cityofnewyork.us/d/v959-5k2w]
How We Die
Project Name: How We Die • Artist S: Juan Francisco Saldarriaga,Steven Sanchez • Exhibition Theme: 8 Questions for the City
Project Name
How We Die
Project Description
How do we die in New York City?
Each year around 50,000 people die in the city. Most of them from heart disease or cancer, others from diabetes or murder. But the causes of death remain varied and changing, and affect different populations differently. They are also growing or declining through time, and our methods for collecting, classifying and reporting death are changing as well.
We propose to make sense of this varied terrain through a dynamic and ethereal sculpture. With a topographic installation we will represent the leading causes of death in New York City, and their evolution from 2007 to 2014. Cycling through different configurations, the sculpture will morph and transform to display how these same causes of death act the different ethnic groups as well as the different genders. Ultimately, our installation will allow the spectator to understand the topography of death in New York.
Artist S
Juan Francisco Saldarriaga,Steven Sanchez
Exhibition Theme
8 Questions for the City
Festival Year
2018
Nyc Open Data Dataset
New York City Leading Causes of Death [https://data.cityofnewyork.us/d/jb7j-dtam]
Tempo: Human Rhythm of a New York Day
Project Name: Tempo: Human Rhythm of a New York Day • Artist S: Mollie Ruskin,Xena Ni,Eric Chiu • Exhibition Theme: NaN - Not a Number
Project Name
Tempo: Human Rhythm of a New York Day
Project Description
Hidden in city records are our emotional valences: hundreds of millions of dreams pursued, dreams deferred, hearts broken, sighs of relief. Very first breaths and very last. It’s hard to see and feel these experiences through numbers alone.
Tempo shows the scale, emotions, and rhythm of one day of New Yorkers’ interactions with city government. You’ll hear a slice of the thousands of stories embedded in datasets recording births, SNAP (also known as food stamps) cases, and scheduled evictions. You’ll see the frequency of each of these transactions and their total numbers, through masses of everyday objects and use of light. We invite you in to engage with the mess of simultaneous emotional moments pulsing through city data at any moment. And closer-in still, to meet the lives and the stories and the nuance beyond what any number is able to tell us.
Artist S
Mollie Ruskin,Xena Ni,Eric Chiu
Exhibition Theme
NaN - Not a Number
Festival Year
2019
Nyc Open Data Dataset
Infant Mortality [https://data.cityofnewyork.us/d/fcau-jc6k], SNAP Program Access Index (PAI) [https://data.cityofnewyork.us/d/4c8i-cnte], Evictions [https://data.cityofnewyork.us/d/6z8x-wfk4]
Hyperphagia
Project Name: Hyperphagia • Artist S: Matías Piña,Arden Schager • Exhibition Theme: Corpus: Bodies of Data
Project Name
Hyperphagia
Project Description
Hyperphagia reimagines NYC as a living organism, with each borough acting as a “cell” in an urban metabolism. Using Port Authority cargo and DSNY waste datasets, the interactive sculpture visualizes the city’s cycles of consumption and waste through generative simulations displayed on upcycled CRT monitors. Viewers explore NYC’s systemic inequities and environmental dependencies by engaging with the organism’s metabolic “digestive tract,” prompting reflection on the complex interconnections shaping the city’s health and sustainability.
Artist S
Matías Piña,Arden Schager
Exhibition Theme
Corpus: Bodies of Data
Festival Year
2025
Nyc Open Data Dataset
DSNY Monthly Tonnage Data [https://data.cityofnewyork.us/d/ebb7-mvp5], DSNY Disposal Sites Used by Facilities by Year [https://data.cityofnewyork.us/d/99xv-he3n], DSNY Disposal Facilities Used by Year [https://data.cityofnewyork.us/d/6r9j-qrwz], Location of Disposal Facilities and Sites Used for DSNY-Managed Waste [https://data.cityofnewyork.us/d/ufxk-pq9j], NYC Zoning Tax Lot Database [https://data.cityofnewyork.us/d/fdkv-4t4z]
Other Dataset
Bulk Cargo Imports and Exports ([https://catalog.data.gov/dataset/bulk-cargo-annual-imports-and-exports-through-port-authority-of-ny-nj-maritime-terminals-b]
I Am Therefore I Am
Project Name: I Am Therefore I Am • Artist S: Jennifer Ding • Exhibition Theme: Digital Twin
Project Name
I Am Therefore I Am
Project Description
What does it mean to “exist” in a data-driven world? In our digital lives, our data represents us to others, particularly entities like the social media platforms and government institutions that we interact with every day but will never meet in person. To them, our identity is defined by our data. To Facebook, I exist when I like, click, and post. To my government, I exist when I vote, pay taxes, or pass by a surveillance camera. But our lives carry on independently of these data points, and even the most invasive location or cookie tracking system can only comprehend slices of my identity.
Data is meant to simplify a complex concept, like a person, so information about it can be quickly stored, evaluated, and predicted upon. By categorizing our identity, data delineates and separates us from each other. By using a financial lens to understand our value, data blinds us to our other dimensions of being. In data we are individually replaceable, interchangeable, and insignificant.
As our data is reflected back to us through targeted ads and content, does this narrow our own self understanding? Do we start to relate to our hashtags and assigned categories and interests? The purpose of this exhibit is to visualize the limitations of data to represent identity, to understand another human being, and to make sense of our unquantifiable self. Data is one framework for understanding the world; let us reflect on the others.
Artist S
Jennifer Ding
Exhibition Theme
Digital Twin
Festival Year
2020
Kindling
Project Name: Kindling • Artist S: Zeana Llamas,John Noonan,Forest Eckhardt • Exhibition Theme: Hidden in Plain Sight
Project Name
Kindling
Project Description
Kindling is a dating app inspired interactive experience designed to initiate relationships between New Yorkers and the city’s unique local street trees. With this new relationship we hope to foster an interest and appreciation for the often overlooked green spaces that are New York City’s street trees.
Artist S
Zeana Llamas,John Noonan,Forest Eckhardt
Exhibition Theme
Hidden in Plain Sight
Festival Year
2023
Nyc Open Data Dataset
2015 Street Tree Census - Tree Data [https://data.cityofnewyork.us/d/uvpi-gqnh]
Landscape Workshop
Project Name: Landscape Workshop • Artist S: Mark Heller,Mariel Collard Arias • Exhibition Theme: echo{logies}
Project Name
Landscape Workshop
Project Description
Landscape Workshop invites the public to experience the varied ways landscape architects use data to study, draw, and ultimately produce spaces of ecological diversity within New York City’s urban forest. Through digital and analog components, the installation mirrors the hybrid practice of landscape architecture: drawing with pencil and mouse, registering through data and sensory experience. A love letter to the craft, the piece reimagines the spatially distinct settings of computer, modelshop, garden, and desk as one amalgamated landscape workshop, across which open data represents the city through digital and physical forms.
Artist S
Mark Heller,Mariel Collard Arias
Exhibition Theme
echo{logies}
Festival Year
2026
Nyc Open Data Dataset
Forestry Tree Points [https://data.cityofnewyork.us/d/hn5i-inap], Land Cover Raster Data (2017) – 6in Resolution [https://data.cityofnewyork.us/d/he6d-2qns]
Life or Death in the Built Environment
Project Name: Life or Death in the Built Environment • Artist S: James Proctor,Pitch Interactive • Exhibition Theme: 8 Questions for the City
Project Name
Life or Death in the Built Environment
Project Description
What consequences do our choices about zoning have for the people traveling our streets?
Life and Death in the Built Environment demonstrates the consequences of how we choose to construct our city. Like most American cities, zoning has had a profound effect on the shape of New York, and the lives of it’s citizens. This piece is designed to prompt questions about who is empowered to make these decisions, how these choices effect our perception of a place's character, and who is welcomed or put at risk as a result.
Artist S
James Proctor,Pitch Interactive
Exhibition Theme
8 Questions for the City
Festival Year
2018
Nyc Open Data Dataset
Motor Vehicle Collisions - Crashes [https://data.cityofnewyork.us/d/h9gi-nx95]
Linger Loiter
Project Name: Linger Loiter • Artist S: Charlotte Gartenberg,Ivan Himanen • Exhibition Theme: echo{logies}
Project Name
Linger Loiter
Project Description
Benches are essential public infrastructure, but their distribution and design are increasingly hostile. Determined by the number of benches per zip code, Linger Loiter is an installation that makes literal their uneven presence throughout the city. Once seated on the bench, viewers enter an immersive soundscape. They may passively experience the noisy music of our city’s ecosystem or, by pressing buttons, invite auditory “visitors” who play out some of the many scenes that take place at these essential nodes of public life.
Artist S
Charlotte Gartenberg,Ivan Himanen
Exhibition Theme
echo{logies}
Festival Year
2026
Nyc Open Data Dataset
City Bench Locations (Historical) [https://data.cityofnewyork.us/d/kuxa-tauh], Seating Locations [https://data.cityofnewyork.us/d/esmy-s8q5], Directory of Accessible Parks Facilities and Programs [https://data.cityofnewyork.us/d/e4ej-j6hn], Capital Budget [https://data.cityofnewyork.us/d/46m8-77gv], NYPD Complaint Data Current (Year To Date) [https://data.cityofnewyork.us/d/5uac-w243]
Long-Lost Twins
Project Name: Long-Lost Twins • Artist S: Eric Lee,Yen Mooi • Exhibition Theme: Digital Twin
Project Name
Long-Lost Twins
Project Description
“It is easier to ask for forgiveness, than to ask for permission.”
"Long-Lost Twins" is an interactive art installation that confronts us head-on with the more nefarious aspects of “surveillance capitalism”. Our “digital twins” are made up of all the data that are out in the virtual world that pertain to each and every one of us. The data have been collected, given knowingly or unknowingly, sometimes stolen, then sometimes sold, and analyzed for various purposes. These purposes can be beneficial - to inform public policy and provide better products and services that improve our lives - but they can also be nefarious.
Artist S
Eric Lee,Yen Mooi
Exhibition Theme
Digital Twin
Festival Year
2020
Other Dataset
Trip Record Data (https://www.nyc.gov/site/tlc/about/tlc-trip-record-data.page)
Los Delivreros
Project Name: Los Delivreros • Artist S: Ambar Reyes • Exhibition Theme: Hidden in Plain Sight
Project Name
Los Delivreros
Project Description
There are around 65,000 delivery workers in NYC, according to the U.S. government. With their distinctive bags to carry food on their shoulders, colorful e-bikes covered with Latin American flags, and speakers playing songs in Spanish, they have come to occupy a remarkable space—visually and auditorily—on the streets of Manhattan. With my project, I aim to juxtapose NYC's public data regarding the number of accidents involving a cyclist with delivery workers' private information about spatial distribution in New York City. With this, I want to understand how delivery workers' presence in the streets has changed the city's rhythm and everyday life soundscapes and how the city infrastructure has changed delivery workers' daily life.
Artist S
Ambar Reyes
Exhibition Theme
Hidden in Plain Sight
Festival Year
2023
Nyc Open Data Dataset
Motor Vehicle Collisions - Crashes [https://data.cityofnewyork.us/d/h9gi-nx95]
Lost Wax
Project Name: Lost Wax • Artist S: Rachel LaBine,Aishwarya Keshav • Exhibition Theme: Ground Truth
Project Name
Lost Wax
Project Description
Lost Wax, a preemptive archive, addresses New York City’s gradually disappearing shores. 3D scans from five sites around the city become wax sculptures at 1:1 scale, beginning an ephemeral sculptural archive in light of the imminent sea-level rise in NYC. Each site is located within the steadily expanding floodplain. 
Though scientific data on climate is publicly available, climate change has come to be largely viewed as a polarizing political topic, rather than the existential threat that it is. Lost Wax seeks to begin to address the failure of rhetoric that has led to this gap between data and society. Architectural elements, signage, and trees point to tangible, emotive, and local realities of climate change. The project brings forth data on an affective register, a preemptive gesture towards preserving sites around the city. The scans and objects index fragments of the sites, as any archive or memory can only partially hold its referent.
Special thanks to SOE Studio and Isolated Labs for their help with this project.
Artist S
Rachel LaBine,Aishwarya Keshav
Exhibition Theme
Ground Truth
Festival Year
2021
Nyc Open Data Dataset
Sea Level Rise Maps (2050s 100-year Floodplain) [https://data.cityofnewyork.us/d/hbw8-2bah], Sea Level Rise Maps (2020s 500-year Floodplain) [https://data.cityofnewyork.us/d/ajyu-7sgg]
Manhattan Tree Topography
Project Name: Manhattan Tree Topography • Artist S: TWO-N • Exhibition Theme: 8 Questions for the City
Project Name
Manhattan Tree Topography
Project Description
Our project – Manhattan Tree Topography – is a celebration of New York City’s street tree population through a data-driven, wooden map. The map is based on the NYC Street Tree Census data and will showcase the diversity and volume of New York’s tree population. Each neighborhood is represented through a block in different height and material. The height signifies the amount of trees, whereas the wood represents the most prevalent tree. The sculpture is interactive: by picking up blocks the audience can uncover further information on NYC’s tree life and experience the haptic qualities of the wood
Artist S
TWO-N
Exhibition Theme
8 Questions for the City
Festival Year
2018
Nyc Open Data Dataset
2015 Street Tree Census - Tree Data [https://data.cityofnewyork.us/d/uvpi-gqnh]
Marsh Temporalities
Project Name: Marsh Temporalities • Artist S: Jessica Reisch • Exhibition Theme: Corpus: Bodies of Data
Project Name
Marsh Temporalities
Project Description
Marsh Temporalities explores questions around the limits and expansions of the corporeal form through a consideration of the microscopic ecosystems with which we coexist. This project rethinks the human entity through an audiovisual installation that combines microscopy-based visuals with a soundscape of biorhythmic recordings taken from salt marsh locations throughout NYC. Salt marshes are among the most biologically productive ecosystems on the planet, and many are unaware that these rich environmental spaces exist in and around their neighborhoods.
Artist S
Jessica Reisch
Exhibition Theme
Corpus: Bodies of Data
Festival Year
2025
Nyc Open Data Dataset
NYC Parks Forever Wild Map [https://data.cityofnewyork.us/d/br7w-st33], NYC Wetlands Map [https://data.cityofnewyork.us/d/7piy-bhr9]
Metropolitan Cuneiform
Project Name: Metropolitan Cuneiform • Artist S: Jingrong Zhang • Exhibition Theme: echo{logies}
Project Name
Metropolitan Cuneiform
Project Description
Metropolitan Cuneiform transforms New York City’s environmental and urban datasets into hand-engraved clay tablets inspired by ancient cuneiform writing. Using symbols derived from street trees, urban heat, and building activity, the work treats contemporary data as future archaeological evidence. By translating open data into tactile inscriptions, the project reframes urban ecology as a system of trace, erosion, and memory—inviting viewers to read the city through material marks shaped by both human and environmental forces.
Artist S
Jingrong Zhang
Exhibition Theme
echo{logies}
Festival Year
2026
Nyc Open Data Dataset
2015 Street Tree Census - Tree Data [https://data.cityofnewyork.us/d/uvpi-gqnh], Heat Vulnerability Index Rankings [https://data.cityofnewyork.us/d/4mhf-duep], DOB NOW: Build – Approved Permits [https://data.cityofnewyork.us/d/rbx6-tga4]
N.Y. sea
Project Name: N.Y. sea • Artist S: Kerrie O'Leary • Exhibition Theme: Hidden in Plain Sight
Project Name
N.Y. sea
Project Description
N.Y. Sea uses historic recordings of the NYC river levels in conjunction with storm flood water predictions to communicate the vulnerability of the New York subway system. Merging her curiosity for systems and physical computing components, the artist has manipulated the complex data into a kinetic sculpture that forces the viewer to contemplate the strength of nature and question their existence in the anthropocentric era.
Artist S
Kerrie O'Leary
Exhibition Theme
Hidden in Plain Sight
Festival Year
2023
Nyc Open Data Dataset
Projected Sea Level Rise [https://data.cityofnewyork.us/d/6an6-9htp]
NEW YORK ALIVE!
Project Name: NEW YORK ALIVE! • Artist S: Jen Ray,Jason Forrest • Exhibition Theme: Ground Truth
Project Name
NEW YORK ALIVE!
Project Description
Join artist Jen Ray and data designer Jason Forrest as they present a not-entirely-serious exploration of the urges, needs, and desires of New York City residents - both officially in the data, as well as through informal survey results. Inspired by historic influences such as Otto & Marie Neurath Isotype designs and the Triadic Ballet of the Bauhaus, this performance will be a celebration of the city, echoing the interests that make our shared culture so unique. By incorporating movement, props, pictorial statistics, music, megaphones, and good humor we guarantee you've never seen data presented data in this way before!
Artist S
Jen Ray,Jason Forrest
Exhibition Theme
Ground Truth
Festival Year
2021
Nyc Open Data Dataset
Love Your Local Business List [https://data.cityofnewyork.us/d/5694-9szk], Urban Park Ranger Animal Condition Response [https://data.cityofnewyork.us/d/fuhs-xmg2], 311 Service Requests from 2020 to Present [https://data.cityofnewyork.us/d/erm2-nwe9], Rodent Inspection [https://data.cityofnewyork.us/d/p937-wjvj]